Journal indexed in CEEOL, EBSCO, and Index Copernicus

XIX, 2023, 1

Florin Marinescu, Nikolaos Mertzimekis

Two Liturgical Disks Offered by Stephen the Great and Radu the Great to Monasteries from Greece


Ștefan S. Gorovei

Le début de l’année en Moldavie au temps d’Étienne le Grand et les Tetraévangiles de Théodore Mărișescul


Mircea-Cristian Ghenghea

Stephen the Great as an “Austrian Agent”. A Perspective on the Propaganda of the Central Powers in Romania (1914–1916)


Archmandrite Policarp Chițulescu

Two Old Moldavian Manuscripts that Were Previously Unknown


Alexandru Pascal

Numerical Alphabets for Large Numbers in Medieval Moldavia


Eduard Rusu

Music and Dance in the “Mocking of Christ” Frescoes Painted in Churches Founded by Stephen the Great and Peter Rareș


Voica Maria Pușcașu

Notes of Four Moldavian Churches: Confirmations and New Elements


Priest Dumitru Tincu

About the Bell Tower of the Hârlău Princely Court (1486/1492−1902)


Alexandru Pascal

On the Erroneous Attribution of a March Menaion that Once Belonged to the Putna Monastery


Ion Filipciuc

Ciprian Porumbescu at Putna?


Liviu Papuc

19th-Century Putna Milestones


Monk Alexie Cojocaru

The Guest Register of Putna Monastery for 1900–1910


Protosyngellos Dosoftei Dijmărescu

Putna Monastery during Abbot Calinic Lupu’s Leadership (1957–1958). Documents from the Monastery Archive


Ștefan Andreescu

The Secu Monastery and the Flămânda Skete – a Surprising Connection


Mihai Gicoveanu

Le patrimoine foncier du monastère de Solca (XVIIe–XVIIIe siècles)


Protosyngellos Iustin Taban

The Death Sentence Pronounced by People’s Court Decision No. 11/1946 for Metropolitan Visarion Puiu of Bukovina. A Historical and Legal Assessment


Yevgeniya Ignatenko

Protopsaltes Evstatie of Putna’s Cherubic Song of the Plagal of the First Mode in Ukrainian and Belarusian Musical Manuscripts


Šimon Marinčák

On the Issue of Romanian Influences on the Liturgical-Musical Tradition of the Mukačevo Eparchy


Archdeacon Avraam Bugu

Four-Meter Phrases in Middle Byzantine Chant (II). The Papadic Genre