Abstract
This paper deals with several aspects regarding the patrimony of the Putna Monastery. The first part of the paper is dedicated to a triptych-icon, famous in the Romanian scientific circuit, about which the author claims that it is possible that it came from the Solca Monastery. The second part is dedicated to the embroideries of the Putna Monastery. The author presents several documents which describe the way these objects were kept at the beginning of the 20th century.
Keywords
embroideries, patrimony, Putna Monastery, Solca Monastery, triptych
